“Man’s conquest of Nature turns out, in the moment of its consummation, to be Nature’s conquest of Man.”
—C.S. Lewis, Abolition of Man
The artworks shown here are by multiple artists working between 1901 and 1976.
Dense star environments can cause amazingly intricate patterns.
Artist’s Statement I am interested in how systems can be applied in the process of making art, how something can survive within a scheme of convention, exploring the system itself in order to understand it, and perhaps, trying to find a condition of artistic autonomy within the framework I create. Like Mondrian’s grids, the abstraction…
The purple cloth, woven in the aftermath of 9/11, celebrates the power and promise of hope. The buttons, created by clay artist Susan Ryles, are imprinted with the word hope in more than a dozen languages.
I make work about desire, change, and living in pursuit of wholeness despite fear, anxiety, and obstacles. In these particular pieces, desire and yearning manifest themselves as physical thirsts for dirt and tears: gritty, basic, and pure.
The repertoire of objects in a vanitas still-life is confined to external power symbols: crowns—including the papal tiara and mitres, as well as kingly crowns—and a knight’s armour were always part of such still-lifes, as was the globe as a symbol of worldwide expansion and a craving for conquests. These “elements of vanity” are of central importance in this painting.
This is a pyramidal neuron from the hippocampus, a part of the brain where some kinds of memories are formed. This neuron has been labeled with fluorescent antibodies so that we can visualize microtubules (shown in green), which form a structural network inside the neuron, and insulin receptors (shown in red), which are cell surface…